“I have always liked movies that show a sense of film history. And, if it were only about movies, people wouldn’t like it much. The references are there, but not in a way that would obscure things for anybody.”
– Joe Dante, Fangoria #38 (1984)
Well, it’s Christmas Day. For many people, movies are just as big a part of the holiday season as good food, gifts and quality time spent with friends and family. There aren’t any movies that I have to see each and every year, but there are definitely movies that I can only see around Christmas. Gremlins, which fried my delighted young mind upon its release in 1984, is one such movie. Along with Indiana Jones and the Temple of Doom, which came out that same year, it deserves credit for turning me into a film fanatic. So to mark the 25th anniversary of Joe Dante’s perennial creature feature, and the little milestone of OP-dEaD’s 50th post, here is the OP-dEaD 2009 Gremlins Christmas Extravaganza! Keep reading for lots of information on in-jokes, cameos and other fun stuff …
The Spielberg Connection: Onscreen, the movie is billed as “Steven Spielberg presents Gremlins.” Executive producer Spielberg was the one who came across an early draft of the screenplay (by Chris Columbus), and who brought Dante on to direct. And throughout the movie itself, there are deliberate references to Spielberg’s output. Everyone recognizes the Indiana Jones typeface and costume on the Rockin’ Ricky Rialto billboard near the beginning. A couple of minutes later, however, there is a much more subtle nod to the bearded wizard of Hollywood—as Billy Peltzer (Zach Galligan) is walking to the bank with his dog, he passes a movie theater that’s currently showing A Boy’s Life. A Boy’s Life was the working title of E.T.: The Extra-Terrestrial, and the marquee gets my vote as the cleverest in-joke in Gremlins.
A Feast for the Fans’ Eyes: When Rand Peltzer (an underused Hoyt Axton) calls home from the inventors’ convention, the scene is a film buff’s dream come true. The man in the cowboy hat, who glances into the camera, is the late Jerry Goldsmith. (Goldsmith, as any soundtrack collector knows, was Dante’s dependable go-to guy for orchestral scores.) Also during the course of this scene, a reclining Stephen Spielberg zips by in a weird little car/wheelchair, before Robbie the Robot shuffles across screen from the opposite direction. (We see Robbie on the telephone moments later, reciting lines from Forbidden Planet verbatim.) Also, the time machine from The Time Machine (1960) can be seen in the background, but it has disappeared in a puff of smoke during a cutaway.
The Joe Dante Repertory Company: It must be a delight to work for Dante. Aside from his extended relationship with Goldsmith, he is famed for using the same actors in many of his pictures. Dick Miller, my favorite character actor of all time, is the most celebrated example. Here, and in the sequel, he appears as Murray Futterman—town drunk, snowplow driver and vocal patriot. In a charming touch, Jackie Joseph plays the part of Mrs. Sheila Futterman—the pair had appeared together in Roger Corman’s The Little Shop of Horrors 24 years earlier. The lovely Belinda Balaski, already familiar to fans from Dante’s Piranha and The Howling, puts in a sympathetic appearance as poor Mrs. Harris. Another of the director’s stalwarts, Kenneth Tobey, plays the gas station attendant. Miller is certainly the most fun to watch, but the cleverest bit of casting may well be Jim McKrell. In Gremlins, he reprises the role of reporter Lew Landers, the very same part he had played three years earlier in The Howling.
An Animated Cameo: As they sit in Dorry’s Tavern, an elderly gent named “Mr. Jones” compliments Billy on his caricature of evil Mrs. Deagle (Polly Holliday). Billy’s kindly friend is none other than Chuck Jones, legendary king of Warner Bros. cartoons.
Quite the Character (Actor): Mrs. Deagle, who rules the town’s real estate affairs with an iron fist, is a heartless widow. At least she’s kind to her numerous cats, all of whom have names after currency (e.g. Kopek and Dollar Bill). It’s also clear that she remembers her late husband with great affection, judging from the large portrait of him that hangs in the staircase. The man in the photograph is actually esteemed character actor Edward Arnold, who was known for his stout build and commanding baritone. Since he played imposing big business types in various Frank Capra movies, Arnold was an obvious choice for the late Mr. Deagle. (He didn’t appear in It’s a Wonderful Life, though, the clearest Capra antecedent to Gremlins.) Since Arnold had already been dead for 28 years, the producers needed permission from his estate to use his likeness in the movie.
Howling for More: Apparently, The Howling was the movie that originally put Dante on Spielberg’s radar. (I guess that’s how Dante ended up directing one of the tales for Twilight Zone: The Movie.) And there are at least three references to my favorite werewolf movie in Gremlins. One is Lew Landers, obviously. What’s more, the Kingston Falls movie theater has lobby cards from The Howling on display. All well and good, but as crafty in-jokes go, nothing beats the smiley face sticker on the Peltzer family refrigerator. Smiley face stickers are an important story element in The Howling, used as a kind of signal between Dee Wallace’s newswoman and madman Eddie “The Mangler.” (Eddie, incidentally, was played by Robert Picardo. Yet another Dante regular, for some reason Picardo doesn’t appear in Gremlins.)
Fangs for the Memories: As the gremlins hatch from their slimy cocoons, Gizmo watches in terror from inside a motorcycle helmet. And in the mist, we can barely glimpse a copy of Fangoria, the preeminent horror magazine. It’s issue number 30, which just so happened to feature Twilight Zone: The Movie on the cover. And just a few issues down the line, Gremlins would appear on three consecutive Fango covers.
Movie Marinade: Since Gremlins is steeped in movie lore, it’s only fitting that scenes from numerous old movies are prominently featured. It’s a Wonderful Life, To Please a Lady, Orphée and the original Invasion of the Body Snatchers play on various television sets. Moreover, Disney’s Snow White and the Seven Dwarfs, which has apparently taken the place of A Boy’s Life, holds the gremlins in thrall towards the finale … and ¡SPOILER! ultimately spells their doom.
First Go for the Logo: As well as all the allusions to movies past, Gremlins hinted at important things to come. This happened to be the first movie ever to feature the famous Amblin Entertainment logo, Amblin being the production company of Speilberg, Kathleen Kennedy and Frank Marshall. But observant viewers may notice that the logo is incomplete. The outline of the moon is there, but not the moon itself. The finished article would not grace screens until the following year, when it could be seen in The Goonies.
Gremlins is full of references to everything from Flashdance to Star Wars. You discover a new pop cultural reference, or at the very least some new detail, every time you see it. Fittingly, in light of the Christmas setting, it’s a movie that just keeps on giving. For more information, you might want to check out the movie’s IMDb trivia page.